Packaging
Wrapped greyboard construction. The heaviest, most protective and most tactile option — used where the packaging is part of the product experience.
A satisfying close and a flat lid surface for foil or emboss. Beauty sets, electronics, gifting.
A sliding tray inside a sleeve. Reveals the product gradually — jewellery, watches, fragrance.
Base and lid, no hinge. The classic premium presentation box; strong at larger sizes.
Opens on a spine like a hardcover. Good for sets, sample kits and press packs.
Printed board, die-cut and glued, shipped flat. The most efficient way to put a considered structure around a lightweight product.
Tuck-end or crash-lock, sized tightly to bottles, jars and tubes. Often paired with a card insert to stop movement.
Where regulatory copy has to sit alongside brand typography without the panel looking crowded.
Coffee, tea, confectionery and gifting. Barrier and food-contact requirements are specified per project.
Built to hold their shape on a shelf and read clearly from two metres away.
The box that has to survive a courier network and still open well on a kitchen table. Interior print does most of the work here.
Corrugated, self-locking, sized to the product rather than the pallet. Printed inside, outside, or both.
Repeatable, stackable, quick to pack by hand. Designed for a monthly rhythm and a fixed postal band.
Short runs where the unboxing is the point. Usually rigid or a rigid-mailer hybrid with a moulded or card insert.
Paper weight, handle type and the reinforcement at the top edge decide whether a bag feels premium. Print is the easy part.
Twisted paper, flat cotton tape or ribbon handles. Laminated or uncoated, with a folded and reinforced top.
Deeper gussets, heavier board, often matched to a tissue paper and a card.
Bag, box, tissue and sticker specified together so the colour holds across four different materials.
The part nobody photographs and everybody feels. An insert holds the product still, sets the reveal and protects the print on the way.
Folded or die-cut card. Light, cheap, recyclable, and enough for most cartons.
Rigid trays for multi-piece sets, wrapped in the same paper as the box.
Formed pulp for close-fitting protection without plastic. Availability depends on the project.
Band a plain box with a printed sleeve, or split an interior into compartments.
Finishing is where a good box becomes a memorable one. It is also the easiest place to overspend, so we are specific about where it earns its cost.
Visual examples of available directions. Which finishes are possible depends on material, structure, run length and production route — we confirm this per project. See materials & finishes
Describe the product and the quantity. We will come back with the constructions that make sense and what each one changes.